Artist Spotlight Week #5 - Nitzer Ebb - Getting Closer

The second single to be released from "SHOWTIME" was "Getting Closer" As the follow-up to Lightning Man, it found greater audience appeal in the club. This song gave Nitzer Ebb their highest chart success on the US Dance charts as it peaked at #3.

Getting Closer" captures an atmosphere of impending, imminent doom better than just about anything, while the heavy synth distortion makes the track rock, all without using guitars. The way the song literally revs up alone is worth the listen.

This song was produced by Flood and Nitzer Ebb. Mixed by Flood. Recorded at Swanyard Studios and The Garden. Mixed at Swanyard Studios with remix and additional production by Arnaud Rebotini

Taken from the original 12" single on Geffen 21606
Getting Closer (Pool Mix) - 5:15
Getting Closer (Trance Mix) - 7:09
Song charted on July 14, 1990. Spent 8 weeks on the chart and reached #3

Artist Spotlight Week #2 - Nitzer Ebb - Control I'm Here

Continuing the week long Nitzer Ebb Artist Spotlight.

In 1988, Doug and Bon set out to record "the perfect electronic album", resulting in the LP Belief. Preceded by the classic club track 'Control I'm Here', their second album, Belief, was released in 1989 and was co-produced by Flood (Depeche Mode, U2),who went on to produce their next 3 albums and remix other tracks. The band was now down to a core duo of Harris and McCarthy, with Julian Beeston on drumming duty. Two further singles 'Hearts & Minds', (which will be featured tomorrow) and Shame were released in 1989 with extraordinary remixes from Daniel Miller and William Orbit. The band was asked to be the opening act for labelmates' Depeche Mode's Music For The Masses tour (European Leg).

Taken from the original 12" single on Geffen 21111
Control I'm Here (Command Control Confront Mix) - 6:43
Song charted on January 14, 1989. Spent 10 weeks on the chart and reached # 14

Artist Spotlight Week #1 - Nitzer Ebb - Join In The Chant

This week featuring 5 songs from a particular artist. To begin with, since the Packers are not going to the Super Bowl, I am kind of in a dark mood. So this week the feature artist will be Nitzer Ebb.

Nitzer Ebb (pronounced night-zer or nit-zer—the band themselves pronounce it either way) is a music group formed in 1982 by Essex schoolfriends Douglas McCarthy (vocals, synthesizer), Vaughan (Bon) Harris on synthesizers and drums, and David Gooday.

In May 1987, they released their debut album on Geffen Records, That Total Age, which spawned a hit with the pounding bass rhythms and barked vocals of "Join In the Chant" and "Let Your Body Learn". Both tracks found favour with the Euro club scene and the nascent Balearic Beat movement. Today posting their first ever dance chart single in the US. JOIN IN THE CHANT.

Taken from the original 12" single on Geffen 20786
Join In The Chant (Burn) - 5:26
Song charted on October 31, 1987. Spent 10 weeks on the chart and reached #9

Blue Mercedes - See What Must Have

Blue Mercedes is a pop music duo from London, England, made up of David Titlow and Duncan Millar. Titlow was infamous for wearing purple shorts with the words "Funk Ass" printed on them, whilst Millar played a large portable synth with double keyboards — they dubbed their musical style 'Street Latin Wolff'. Their only Hot 100 hit was "I Want To Be Your Property," which climbed to #66 in 1988 and spent four weeks at #1 on the Hot Dance Music/Club Play chart. They had two more dance chart entries in 1988.

After releasing the single "That Beauty Is You", they evolved into indie dance band, Nixon, and released 'The Rolling Stones gone baggy' sound of "Sweet Temptation". A second single was recorded and manufactured by MCA records, a cover version of the Sex Pistol's "Submission" with trippy cover artwork by Designers Republic, however this was never released and seven inch copies of this track are an extremely rare find. Nixon also remixed the Blur song "Bad Day" from their first album for Food Records, whilst the mix was rejected by the band a mislaid DAT of the song was picked up by unscrupulous bootleggers and released as a white label twelve inch, also very rare.

David Titlow then went onto form indie rock band Heave who signed to Warners subsidiary Radar Records in the early nineties releasing the singles "Suna/12XU" and "Pig Pretty" (on 7 inch pink vinyl) they followed this with the album "Scaramanga" which was produced by Bryce Goggin and released in both the UK and Japan.

Today's post is the follow-up to the #1 dance single "I Want To Be Your Property". This one didn't do as well as it barely reached the Top 20 on the Dance Singles chart. I still like this song anyway.

Taken from the original 12" single on MCA 23857
See What Must Have (Funk Ass Mix) - 6:55
Song charted on April 30, 1988. Spent 8 weeks on the chart and reached #18

Fixx - Less Cities, More Moving People

The Fixx is a British new wave band formed in 1980. The group was formed by college friends Cy Curnin (vocals) and Adam Woods (drums). The pair placed an ad for additional members. Jamie West-Oram (guitar), Rupert Greenall (keyboards) and Charlie Barret (bass) joined the band as a result. Barret left just after the recording of the first album and was replaced by Alfie Agius. However, Agius' stint in the band was short-lived, as he left in the middle of sessions for the following album. His bass work is featured on the album's two hit singles "Saved By Zero" and "One Thing Leads to Another" though. The bass spot was then filled by Dan K. Brown, who remained with the band until 1994.

The band is best known for the smash hit, One Thing Leads to Another. Todays post is one of the lesser known songs. Taken from their third LP, the 1984 release Phantoms. This has to be one of my favorite Fixx songs along with Red Skies.

Taken from the original 12" single on MCA 1230
Less Cities, More Moving People - 7:10
Song charted on November 24, 1984. Spent 3 weeks on the chart and reached #68

Ministry - Cold Life / I'm Falling / Primental

The following information was stolen from discogs.com....
"Ministry is the brainchild of Alain Jourgensen. The band started in 1981 playing a sugar-filled synth pop in the vein of Depeche Mode and Human League. The first changing arrived in 1986 when Ministry's second LP "Twitch" was produced by Adrian Sherwood. The music shifted to an heavy and menacing EBM/electro sound. The third album "The Land Of Rape And Honey" (1988) was a revolution, with the arrival of Paul Barker and other new members Ministry started to play a crossover bewteen EBM, industrial and heavy metal. The formula was perfectioned with the following "The Mind Is A Terrible Thing To Taste" (1990), where the rock elements became more relevant. Ministry's masterpiece is considered "" (1992), a very dark, powerful and violent album, where the band experiments a wide range of combining thrash metal with techno, industrial and noise. The following records have progressively abandoned the experimental side. Paul Barker left the band in January 2004, leaving Al to put together a new line-up for "Houses of the Molé". After 2004 Evil Doer Tour few members left and new came - besides Jourgensen & Scaccia new members are Tommy Victor on guitar and Paul Raven on bass. Band started to work on new album, which finally came out in May 2006 titled "Rio Grande Blood". Following album release Masterbatour 2006 will include John Bechdel on keyboards and Joey Jordison (from Slipknot) on drums."

This is one of my favorite groups of the 80's. Since then they have gotten to political for me. Hey Al...if you don't like living here I have one word for you...MOVE!!!!

Taken from the original 12" single on Wax Trax 110072
A1. I'm Falling - 4:04
A2. Primental - 5:13
B1. Cold Life - 6:11
All songs charted on May 22, 1982. Spent 13 weeks on the chart and reached #45

Advance - Take Me To The Top

Been wanting to post this for a long time - Oh, sorry, going just under two months.

Advance seemingly put out no other song than this there was one released a few years later called "Take It To The Top" which I have never had a listen too, but as names do not differ much I expect it to be close to the original. Nevertheless this song is fantastic with its surplus vocals, groovy synth lines, dreamy pads and classic muted guitars it for sure is one of my all time favourites. It was produced by Alvaro Ugolini and Dario Raimondi I would have never subsumed it under the term Italo Disco, but hey lets compromise: An All Time Dance Classic.

Taken from the original 12" single on Polydor 811539
Advance - Take Me To The Top (Vocal) - 6:15
Song charted on April 30, 1983. Spent 6 weeks on the chart and reached #55